'Impressions of Australia' Art Monthly Australia 200 (June 2007) pp.21-27.'Constable and Englishness' British Art Journal VIII 3 (Winter 2006-07) pp.40-45.'Public reputation and image control in late eighteenth-century Britain' Visual Culture in Britain 7 2 (2006) pp.69-91.'Constable, then and now' Art Monthly Australia 192 (August 2006) pp.7-13.Viewing Gainsborough's Cottage Door New Haven & London (Yale University Press) 2005 pp.77-95, 203. Bermingham (ed.) Sensation & Sensibility. Interactions with British Art c.1776-1855 Aldershot & Burlington VT (Ashgate) 2004 pp.79-99 'A view of New Holland: aspects of the Colonial Prospect' in Christiana Payne, William Vaughan (eds.) English Accents.With Martin Myrone, Gainsborough (Exhibition Catalogue) London (Tate) 2002.The Royal Academy Exhibition at Somerset House New Haven & London (Yale University Press) 2001 pp.144-155. Sayers (eds.) Heads of the People: a Portrait of Colonial Australia Canberra (National Gallery of Australia) 2000 pp.43-57. 'Decapitating the Swells: William Baker's Heads of the People' in T.If anyone is interested in exploring the possibilities of carrying out research on British art, or on art and colonialism between c16, I would be very happy to hear from them.īritish Landscape Painting, Oxford (Phaidon Press) 1982 I have most recently supervised doctoral dissertations on the imagery of the family in eighteenth-century Britain, the British in India in the later eighteenth century, on maritime imagery in eighteenth-century Britain, on art criticism and the professional artist in early nineteenth-century Britain, and on the imagery of speculation in early eighteenth-century Britain. I have additionally developed an active interest in the painting and architecture of the Venetian Renaissance, not least because of its real links with my British imperial concerns. In light of work begun in the topographical collections of the British Library, this will lead to a more general investigation into British imperial imageries. At present I am exploring art and travel and colonial art in general, with particular reference to Australia 1788-1840 and am writing a book on picture-making in early colonial Australia. My research has centred on the arts within British social and cultural histories, mainly of the eighteenth and early nineteenth centuries, and I have had an abiding concern with landscape.
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